SEA

A COLLABORATION BETWEEN HI-DUTCH OF JAPAN AND JULIE GOLDSTEIN OF THE US 
OPENING RECEPTION: SATURDAY/ APRIL 8, 2017 / 1-4P

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JULIE GOLDSTEIN 

I am inspired by fearless women and am interested in their relationships with their surroundings. My themes often explore empowerment, maternal protection, independence, and nurturing. I also enjoy a little bit of humor and cynicism.  I combine woodcut, found fabric, drawing, painting and traditional sewing techniques to construct images which come from my personal experiences.

HI-DUTCH

独自の視覚表現を求め、平面、映像、立体など様々な表現に対し、色々な立場で製作に関わる活動を続けている。
パーソナルな作品としては近年、サーフボードリペアの技術と視覚表現を合わせた、木材、毛糸、FRP樹脂を使った作品を精力的に発表を続ける。

I have been involved in production from various positions, seeking original visual expression via 2D , video & spatial design. Personal work in recent years include continued exhibition of surfboard repiar skill combined with wood , yarn , resin to create a energetic visual expression.


MASSIMO VITALI

ON DISPLAY AT OUR HALE'IWA LOCATION / JANUARY 1-31, 2017

"Knokke-polyptych" From the Landscapes with Figures Portfolio, 2002.  Eight offset lithographs / 33.5 x 25.75 in (85.09 x 65.41 cm)    

"Knokke-polyptych" From the Landscapes with Figures Portfolio, 2002.  Eight offset lithographs / 33.5 x 25.75 in (85.09 x 65.41 cm)

 

 

Italian photographer Massimo Vitali documents landscapes populated by tourists. His experience in photojournalism lends his photographs the character of an official document rather than enticing advertisement. The wide lens and sharp clarity suggests surveillance or voyeurism, subtly destabilizing the photograph’s care-free subject matter.

Massimo Vitali (Italian, b. 1944) studied photography in London before becoming a photojournalist in the 1960s. His most well-known works are his series of large-format Italian beach panoramas. These painterly photographic tableaus are generally marked with saturated color and highly-studied camera placement as well as vertical height. He lives and works between Lucca, Italy, and Berlin, Germany.


 

SURFACE INTERFACE II

A SOLO EXHIBITION BY STEVEN KEAN
OPENING RECEPTION: SATURDAY/ DECEMBER 17, 2017 / 1-6P

 

Through an ongoing passion for printmaking,

and a love affair with the ocean, STEVEN KEAN continues to expand his collection of wave studies, 'Surface Interface II'.  The relief prints that define his work render what may have only previously been an abstract feeling for an ocean minded person.  In a simplistic black and white format, Kean depicts the raw power and beauty of the sea through a repetition of crisp line work and elegant mark making. 

Opening reception will take place at our Haleiwa Store Lots location with live entertainment and light pupus.  

 

PARADISE LOST

A SOLO EXHIBITION BY SHO WATANABE
ON DISPLAY UNTIL SEPTEMBER 30, 2016

" THE 1950'S WAS A HIGH ECONOMIC GROWTH PERIOD, THERE WERE COUNTER CULTURE OF YOUTH TO CONSERVATISM.   IT WAS IMPERFECT, BUT THEIR WERE VERY UNIQUE AESTHETICS.  I FELT SOMETHING WITH THE 1950'S CULTURE, AND I FOUND SIMILARITIES BETWEEN THE 1950'S AND NOW. "

- Sho Watanabe


"ROMANCE"

80mm X 653mm
Acrylic, Oil and  Gouache collage of vintage books on Canvas. 

"I portrayed the desires of men not only in his eyes, but in all of his face.  Timeless Romance."

 

ABOUT THE ARTIST

デザインという表現を通じ、いつの時代でも必要とされるコミュニケーションサービスで持続可能な表現訴求を 発信、提案します。 多様化の現代社会で意味のある、人に伝わる表現(MIND)をグラフィックからイラストレーション、アナログアートと あらゆるツールを、デザイン業務全てに生かし、創造していきます。 440 DESIGNは、ビジネス戦略に必要な、アート性の高いデザイン訴求を追求していきたいと考えます。 自由な発想で、ビジネスとして表現力の高い作品と、ブランディング提案を提供して行く事が、私達の使命です。