WAYNE LEVIN

on display from december 1 - 31, 2018

ABOUT THE ARTIST

Wayne began an underwater photographic study of surfers, receiving a National Endowment for the Arts Photographers’ Fellowship for this work in 1984. Later that year he was invited to go to the Leprosy Settlement at Kalaupapa on Molokai to photograph. He documented the settlement between 1984 and 1987 using black and white film and a 4×5 view camera. This work culminated in the book, Kalaupapa: A Portrait co-published by the Arizona Memorial Museum Foundation and the Bishop Museum in 1989.

   Swimmers, Ironman Triathlon    (B-57) / Edition #23/35, 2001, Silver Gelatin Print / 12"x18" image size

Swimmers, Ironman Triathlon (B-57) / Edition #23/35, 2001, Silver Gelatin Print / 12"x18" image size

In 1986 Wayne started the photography program at La Pietra, Hawaii School for Girls, where he taught as an artist-in-residence for a year. He received an Ohio Arts Council artist-in-residence at the Dayton Art Institute for two years in 1987. During his residency he taught photography and arranged exhibitions of his students’ work. Additionally, he produced and exhibited several bodies of work including an in-depth study of Hospice of Dayton, which was the second largest Hospice in the United States at that time. This project earned him an Ohio Arts Council Photographers Fellowship.

Upon finishing his residency in Ohio Wayne returned to Hawaii, marrying in 1990, and relocated to Kona on the Island of Hawaii. A friend suggested he photograph the dolphins in Kealakekua Bay, which led to a re-immersion into underwater photography. During the following years he received magazine assignments to photograph throughout the Pacific and Caribbean and further developed his reputation as a black and white underwater photographer.

   Mark Cunningham under Breaking Wave    (B-110) /Edition #14/35, 2003/18, Archival Pigment print / 12"x18" image size, 17"x22" paper size

Mark Cunningham under Breaking Wave (B-110) /Edition #14/35, 2003/18, Archival Pigment print / 12"x18" image size, 17"x22" paper size

In the early 90’s he participated in a book project along with photographers, Franco Salmoiraghi, David Ulrich and Roland Reeves, documenting the misuse, by the U.S. military, and restoration of the Hawaiian Island of Kaho`olawe. In 1995 Kaho`olawe: Na Leo O Kanaloa was published by `Ai Pohaku Press, and it received the Hawaii Book Publishers Association, Hawaii Book of the Year award in 1996. The photographs from this project were exhibited at the Bishop Museum in Honolulu and traveled throughout the Hawaiian Islands over the following two years. An exhibition, Kaho`olawe: Rebirth of a Sacred Hawaiian Island, was presented at the Arts and Industries Building, Smithsonian Institution in Washington, D.C. in 2002.

In 1993 Wayne was one of six artists included in the First Biennial Exhibit at the Contemporary Museum, in Honolulu. The underwater portraits of his daughter Elise, from age 6 months to 2 years, explored her interaction with the ocean while learning to swim, and further extended his black and white underwater portfolio.

Editions Limited published Wayne’s first book of his black and white underwater work, Through a Liquid Mirror. This book received the Hawaii Book Publishers Association, Hawaii Book of the Year award in 1997.

   Akule Tornado    (SC-218) / Edition #1/25, 2000/15, Archival Pigment print / 24"x16" image size, 25"x17" paper size, matted and framed 28"x22"

Akule Tornado (SC-218) / Edition #1/25, 2000/15, Archival Pigment print / 24"x16" image size, 25"x17" paper size, matted and framed 28"x22"

From 1999 to 2001, Wayne traveled throughout the United States and Japan photographing aquariums. His objective was to investigate the phenomena of society creating hi-tech mini oceans as the world’s oceans become increasingly endangered. This project led to the book, Other Oceans, published by University of Hawaii Press in 2001.

Wayne’s photographs have been exhibited nationally and internationally at galleries including Tokyo Designer Space, Japan; New York University, Tisch School of Art Gallery, New York City; Robert Koch Gallery, San Francisco; Louis Stern Fine Arts, Los Angeles; Rosenberg & Kaufman Fine Art, New York; Contemporary Art Center of Virginia, Virginia Beach; High Museum, Atlanta; and the VIP room of the American Pavilion at the World’s Fair, Japan.

Major public collections include the Museum of Modern Art, New York; Museum of Photographic Art, San Diego; The Contemporary Museum, Honolulu; and the Hawaii State Foundation on Culture and the Arts. His work has been published in Aperture, American Photographer, Camera Arts, Day in the Life of Hawaii, Photo Japan, and most recently LensWork, among others.

In recent years Wayne has continued to focus on depicting the underwater world in black and white. He has photographed sea life, surfers, canoe paddlers, free divers, swimmers, shipwrecks, seascapes and aquariums. In short, he has attempted to depict as many aspects of the ocean as possible within the boundaries of the black and white genre.

In 2006 Wayne received an Individual Artists Fellowship from the Hawaii State Foundation on Culture and the Arts.

Wayne was invited by Dr. Randal Kosaki to accompany the August 2009 research cruise of the NOAA vessel Hi’ialakai to the Papahanaumokuakea Marine National Monument. He felt extremely privileged to be allowed to visit and photograph in a place that so few people are able to go. As he journeyed through these islands and atolls, Wayne came to feel he was in an extraordinary place. It is a place of both awesome natural power, and extreme fragility. Many of the unique species are critically endangered, and the pollution from the entire pacific threatens this pristine environment.

In 2010 Editions Limited published, Akule, Wayne’s book of black and white underwater photographs of the schooling fish. The book is now out of print. A second edition will be available in Fall 2015.

With the support of the organization, Ka ‘Ohana O Kalaupapa, Wayne put together a 100 print traveling exhibition of photographs of Kalaupapa in 2011. This exhibit is currently at Molokai Museum & Cultural Center, Kalae, Hawaii until August 2016.

   Kimi Werner with Dolphins #1    (B-339) / Edition #2/25, 2011/18, Archival Pigment print / 24"x16" image size, 25"x17"

Kimi Werner with Dolphins #1 (B-339) / Edition #2/25, 2011/18, Archival Pigment print / 24"x16" image size, 25"x17"

In 2012 Ili Na Ho’omana’o o Kalaupapa: Casting Remembrances of Kalaupapa, a book of Wayne’s photographs of the residents and descendants of Kalaupapa was published by Pacific Historic Parks.

After spending a decade photographing fish schools, Wayne’s interest turned from the sea to the sky. He began a series of photographs of bird flocks. He traveled to Oregon and Northern California to photograph the migrating Snow Geese and Canada Geese. Wayne later traveled to the United Kingdom in 2012 to photograph the starling flocks that gather every evening.

Wayne completed an extended assignment for SCUBAPRO to celebrate their 50th anniversary in 2012. His photographs are featured in the SCUBAPRO catalogue, an in-house SCUBAPRO e-book, and in other advertising and promotion for SCUBAPRO.

In 2013 Wayne was honored to have a solo exhibition of his work at the Dimbola Museum on the Isle of Wight in the UK. The Dimbola Museum is housed on the former residence of the renowned Victorian photographer Julia Margaret Cameron.

In 2014 his work was exhibited at the Datz Museum in South Korea along with the work of American Photographer Barbara Bosworth, and Korean artist Yun Soo Kim. A beautiful new limited edition book of Wayne’s work, Flowing, was published by Datz Press.

Wayne’s solo exhibition of his Akule images at the National Academy of Sciences, West Gallery, in Washington, D. C. was selected D.C.’s Best Photography Exhibit in 2015.

In 2015 the Datz Museum presented a one-man exhibition of Wayne’s photographs from Jeju Island in South Korea. They also published a portfolio book, Islands, Jeju.

Recently moved to Oahu, Wayne continues to photograph underwater using his Nikonos film cameras.

   Floating    (b-14) / Edition #4/25, 1983/2018, Archival Pigment print / 16"x24" image size

Floating (b-14) / Edition #4/25, 1983/2018, Archival Pigment print / 16"x24" image size

Jun Yoshimura